REVIEW THE STORY OF ARTHUR

REVIEW THE STORY OF ARTHUR

REVIEW THE STORY OF ARTHUR

The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.

For the first time in many years the book has been completely redesigned. The illustrations, now in color throughout, have all been improved and reoriginated, and include six fold‐outs. The text has been revised and updated where appropriate, and a number of significant new artists have been incorporated. The bibliographies have been expanded and updated, and the maps and charts redrawn.

The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much‐loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur.

Editorial Reviews

From Library Journal

Phaidon Press has produced a much-improved edition of Sir Ernst Gombrich"s classic narrative study of art history, which was first published in 1950. Among the many competing introductory texts?the central monuments of which are H.W. Janson"s History of Art (Prentice, 1986. 4th. ed.) and Helen Gardner"s Art Through the Ages (4th ed. o.p.)?Gombrich"s venerable work has inhabited a unique niche, having been created specifically for newcomers to art. As his title indicates, he presents the whole of art history as a chronological narrative. Gombrich"s voice is lively, opinionated, and almost conversational, yet his erudition shines through to make a book that is both accessible and informative. His premise, that the love of art, not the love of history, is the appropriate basis for its study is communicated directly with his irrepressible enthusiasm for certain masters and his passionate exasperation with 20th century nonobjective artists. While much of the text is unchanged, the format has been completely redesigned with vastly expanded illustrations, improved captions, better charts and an excellent index. This book belongs on every art-lover"s bedside table, and even those libraries owning an earlier edition would not regret adding this refinement of an already first-rate work.?Douglas F. Smith, Oakland P.L., Cal.
Copyright 1995 Reed Business Information, Inc.

From Booklist

Gombrich"s The Story of Art has been a treasured standard in the field, selling more than 4 million copies since its first edition in 1950. Now in its 16th edition and available for the first time in paperback, this comprehensive look at Western art from prehistoric times on up to the present has been completely redesigned and extensively revised and updated. In addition, the illustrations have all been enhanced, and a total of 443 are now in color. Gombrich is more than an authority, he"s an advocate, and his love and deep respect for art infuse his invigorating text. In his discussion of twentieth-century art, for instance, Gombrich explains how even the most experimental contemporary art is connected in some way to what has gone before. Gombrich tells the story of art "as the story of a continuous weaving and changing of traditions in which each work refers to the past and points to the future." Gombrich"s invaluable history is a ve ritable celebration of this "living chain." Donna Seaman --This text refers to the Hardcover edition.

Review

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"Lucid and endlessly informative." – The Good Book Guide

"For everyone, not just for stuffed shirts." – The Mail on Sunday

"The country's bestselling book on art, never out of print, still in demand" – The Times

"Gombrich's voice is lively, opinionated, and almost conversational, yet his erudition shines through to make a book that is both accessible and informative." – Library Journal

"This comprehensive look at Western art from prehistoric times on up to the present has been completely redesigned and extensively revised and updated." – Booklist

"Enjoy the most famous book on art ever published. . . This has been revamped for the first time since 1972, offering larger illustrations, more color, and improved text and coverage. Highly recommended." – Midwest Book Review

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From the Back Cover

The Story of Art is one of the most famous and popular books on art ever published. For 45 years it has remained unrivalled as an introduction to the whole subject, from the earliest cave paintings to the experimental art of today. Readers of all ages and backgrounds throughout the world have found in Professor Gombrich a true master, who combines knowledge and wisdom with a unique gift for communicating directly his own deep love of the works of art he describes. The Story of Art owes its lasting popularity to the directness and simplicity of the writing, and also the author"s skill in presenting a clear narrative. He describes his aim as "to bring some intelligible order into the wealth of names, periods and styles which crowd the pages of more ambitious works", and using his insight into the psychology of the visual arts, he makes us see the history of art as "a continuous weaving and changing of traditions in which each work refers to the past and points to the future", "a living chain that still links our own time with the Pyramid age". In its new format, the 16th edition of this classic work is set to continue its triumphant progress for future generations and to remain the first choice for all newcomers to art. --This text refers to the Hardcover edition.

About the Author

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Ernst Gombrich was one of the greatest and least conventional art historians of his age, achieving fame and distinction in three separate spheres: as a scholar, as a popularizer of art, and as a pioneer of the application of the psychology of perception to the study of art. His best-known book, The Story of Art – first published 50 years ago and now in its sixteenth edition – is one of the most influential books ever written about art. His books further include The Sense of Order (1979) and The Preference for the Primitive (2002), as well as a total of 11 volumes of collected essays and reviews.

Gombrich was born in Vienna in 1909 and died in London in November 2001. He came to London in 1936 to work at the Warburg Institute, where he eventually became Director from 1959 until his retirement in 1976. He won numerous international honors, including a knighthood, the Order of Merit and the Goethe, Hegel and Erasmus prizes.

Gifted with a powerful mind and prodigious memory, he was also an outstanding communicator, with a clear and forceful prose style. His works are models of good art‐historical writing, and reflect his humanism and his deep and abiding concern with the standards and values of our cultural heritage.

Biography

Sir Ernst Hans Josef Gombrich, OM, CBE (30 March 1909 - 3 November 2001) was an Austrian-born art historian who spent most of his working life in the United Kingdom. He is the author of many works of art criticism and art history. (Photograph: Pino Guidolotti)